A Time to Dance(53)
“You think akka’s body has no
limitations?” Govinda shouts back.
“You think because she’s older and less flexible
she’s not as good a dancer anymore?
Being a good dancer is more
than mastering
every pose there is.”
“We’re not talking about every pose there is.
Because of my leg, some poses are off limits.
Entirely.
So I must master
everything else that’s possible.
Can’t you see that?”
“Some dancers thrill audiences
with exotic poses and excessive speed.
I think you should
care more about entering people’s hearts
and elevating their souls
than about entertaining their minds.
I think you should start
getting over your obsession with what you can or can’t
do physically.
Bharatanatyam dance is not just
about perfecting your body’s skills.”
Govinda sits down and taps out the rhythm
using his block and stick.
Govinda’s words
wound me more deeply
than when Kamini
said my dance wasn’t spiritual enough
after I won the competition.
We don’t speak for the rest of the hour.
I try twisting in the full-sitting pose and leaping into a lunge,
try and fail,
fail many times,
fail spectacularly.
My only accomplishment, when I leave class:
I’ve fought so hard with Govinda,
I’ve had no time to think of being embarrassed about Jim.
AS MANY
Perfect Poses
AS PEOPLE
“Govinda doesn’t understand me!” I complain to Paati.
“He wants me to skip every pose that’s hard
instead of helping me perfect them.
He wants me to skirt hurdles, not leap over them.”
In answer, Paati tells me a story.
“The sage Vyasa once climbed
the snowy peaks of the Himalayas,
where Shiva lives.
Eager to perfect every yoga pose, Vyasa asked Him,
‘How many yoga asanas are there?
I wish to master every pose so I can be the best yogi of all time.’
Shiva replied,
‘There are as many perfect poses as there are people.’
And Vyasa understood that yoga
is about embracing the uniqueness within.
Shiva sees perfection in every sincere effort.
He loves us despite—or maybe because of—