"When I had done that I thought I had done with the affair altogether. Not at all. I was regularly ridden with this confounded murder. You see the banker was rather a swell; everybody knew him: and that, of course, made it so shocking. So everybody kept talking about him: they were talking about him at the Opera, and over the baccaratand bouillotteat La Topaze's later. To escape him I went to bed and smoked myself to sleep. And then a queer thing came to pass: I had a[64] dream-I who never dream; and this is what I dreamed:
"I saw a wide, rich country that I knew. A starless night hung over it like a pall. I saw a narrow track running through it, straight, both ways, for leagues. Something sped along this track with a hurtling rush and roar. This something that at first had looked like a red-eyed devil, with dark sides full of dim fire, resolved itself, as I watched it, presently, into a more conventional night express-train. It flew along, though, as no express-train ever travelled yet; for all that, I was able to keep it quite easily in view. I could count the carriages as they whirled by. One-two-three-four-five-six; but I could only see distinctly into one. Into that one with perfect distinctness. Into that one I seemed forced to look.
"It was the fourth carriage. Two people were in it. They sat in opposite corners; both were sleeping. The one who sat facing forward was a woman-a girl, rather. I could see that; but I couldn't see her face. The blind was drawn across the lamp in the roof, and the light was very dim; moreover, this girl lay back in the shadow. Yet I seemed to know her, and I knew that her face was very fair. She wore a cloak that shrouded her form completely, yet her form was familiar to me.
"The figure opposite to her was a man's. Strangely familiar to me too this figure was. But, as he slept, his head had sunk upon his breast, and the shadow cast upon his face by the low-drawn travelling-cap he wore hid it from me. Yet if I had seemed to know the girl's face, I was certain I knew the man's. But as I could see, so I could remember,[65] neither. And there was an absolute torture in this which I can't explain to you,-in this inability, and in my inability to wake them from their sleep.
"From the first I had been conscious of a desire to do that. This desire grew stronger every second. I tried to call to them, and my tongue wouldn't move. I tried to spring toward them, to thrust out my arms and touch them, and my limbs were paralyzed. And then I tried to shut my eyes to what I knewmust happen, and my eyes were held open and dragged to look on in spite of me. And I saw this:
"I saw the door of the carriage where these two sleepers, whose sleep was so horribly sound, were sitting-I saw this door open, and out of the thick darkness another face look in.
"The light, as I have said, was very dim, but I could see his face as plainly as I can see yours. A large yellow face it was, like a wax mask. The lips were full, and lustful and cruel. The eyes were little eyes of an evil gray. Thin yellow streaks marked the absence of the eyebrows; thin yellow hair showed itself under a huge fur travelling-cap. The whole face seemed to grow slowly into absolute distinctness as I looked, by the sort of devilish light that it, as it were, radiated. I had chanced upon a good many damnable visages before then; but there was a cold fiendishness about this one such as I had seen on no man's face, alive or dead, till then.
"The next moment the man this face belonged to was standing in the carriage, that seemed to plunge and sway more furiously, as though to[66] waken them that still slept on. He wore a long fur travelling-robe, girt about the waist with a fur girdle. Abnormally tall and broad as he was, he looked in this dress gigantic. Yet there was a marvellous cat-like lightness and agility about all his movements.
"He bent over the girl lying there helpless in her sleep. I don't make rash bargains as a rule, but I felt I would have given years of my life for five minutes of my lost freedom of limb just then. I tell you the torture was infernal.
"The assassin-I knew he was an assassin-bent awhile, gloatingly, over the girl. His great yellow hands were both bare, and on the forefinger of the right hand I could see some great stone blazing like an evil eye. In that right hand there gleamed something else. I saw him draw it slowly from his sleeve, and, as he drew it, turn round and look at the other sleeper with an infernal triumphant malignity and hate the Devil himself might have envied. But the man he looked at slept heavily on. And then-God! I feel the agony I felt in my dream then now!-then I saw the great yellow hand, with the great evil eye upon it, lifted murderously, and the bright steel it held shimmer as the assassin turned again and bent his yellow face down closer to that other face hidden from me in the shadow-the girl's face, that I knew was so fair.
"How can I tell this?... The blade flashed and fell.... There was the sound of a heavy sigh stifled under a heavy hand....
"Then the huge form of the assassin was reared erect, and the bloated yellow face seemed to laugh[67] silently, while the hand that held the steel pointed at the sleeping man in diabolical menace.
"And so the huge form and the bloated yellow face seemed to fade away while I watched.
"The express rushed and roared through the blinding darkness without; the sleeping man slept on still; till suddenly a strong light fell full upon him, and he woke.
"And then I saw why I had been so certain that I knew him. For as he lifted his head, I saw his face in the strong light.
"And the face was my own face; and the sleeper was myself!"
Paul Devereux made a pause in his queer story here. Except when he had spoken of the girl, he had spoken in his usual cool, hard way. The pipe he had been smoking all the time was smoked out. He took time to fill another before he went on. I said never a word, for I guessed who the sleeping girl was.
"Well," Paul remarked presently, "that was a devilish queer dream, wasn't it? You'll account for it by telling me I'd been so pestered with the story of the banker's murder that I naturally had nightmare; perhaps, too, that my digestion was out of order. Call it a nightmare, call it dyspepsia, if you like. I don't, because--- But you'll see why I don't directly.
"At the same moment that my dream-self awoke in my dream, my actual self woke in reality, and with the same ghastly horror.
"I say the samehorror, for neither then nor afterward could I separate my one self from my other self. They seemed identical; so that this queer[68] dream made a more lasting impression upon me than you'd think. However, in the life I led that sort of thing couldn't last very long. Before I came back from Africa I had utterly forgotten all about it. Before I left Paris, though, and while it was quite fresh in my memory, I sketched the big murderer just as I had seen him in my dream. The great yellow face, the great broad frame in the fur travelling-robe, the great hand with the great evil eye upon it-everything, carefully and minutely, as though I had been going to paint a portrait that I wanted to make lifelike. I think at the time I had some such intention. If I had, I never fulfilled it. But I made the sketch, as I say, carefully; and then I forgot all about it.
"Time passed-three years nearly. I was wintering in the south of France that year. There it was that I met her-Lucille. Old D'Avray, her father, and I had met before in Algeria. He was dying now. He left the child on his death-bed to me. The end was I married her.
"Poor little thing! I think I might have made her happy-who knows? She used to tell me often she was happy with me. Poor little thing!
"Well, we were to come straight to London. That was Lucille's notion. She wanted to go to my London first-nowhere else. Now I would rather have gone anywhere else; but, naturally, I let the child have her way. She seemed nervously eager about it, I remembered afterward; seemed to have a nervous objection to every other place I proposed. But I saw or suspected nothing to make me question her very closely, or the reasons for her preference for our grimy old Pandemonium. What[69] could I suspect? Not the truth. If I only had! If I had only guessed what it was that made her, as she said, long to be safe there already. Safe? What had she to fear with me? Ah, what indeed!
"So we started on our journey to England. It was a cold, dark night, early in March. We reached Lyons somewhere about seven. I should have stayed there that night but for Lucille. She entreated me so earnestly and with such strange vehemence to go on by the night-mail to Paris, that at last, to satisfy her, I consented; though it struck me unpleasantly at the time that I had let her travel too long already, and that this feverishness was the consequence of over-fatigue. But she became pacified at once when I told her it should be as she wanted; and declared she should sleep perfectly well in the carriage with me beside her. She should feel quite safe then, she said.
"Safe! Where safer? you might ask. Nowhere, I believe. Alone with me-surely nowhere safer. The Paris express was a short train that night; but I managed to secure a compartment for ourselves. I left Lucille in her corner there while I went across to the buffetto fill a flask. I was gone barely five minutes; but when I came back the change in the child's face fairly startled me. I had seen it last with the smile it always wore for me on it, looking so childishly happy in the lamp-light. Now it was all gray-pale and distorted; and the great blue eyes told me directly with what.
"Fear-sudden, terrible fear-I thought. But fear? Fear of what? I asked her. She clung close to me half-sobbing awhile before she could answer; and then she told me-nothing. There[70] was nothing the matter; only she had felt a pain-a cruel pain-at her heart; and it had frightened her. Yes, that was it; it had frightened her, but it had passed; and she was well, quite well again now.