I touch her cheek, sliding my fingers into her hair. "I'll get him out."
"What?"
"I'll get him out of his cell. Tomorrow, before we leave." I nod. "I'll do it."
"Really? Are you sure?"
"Of course I'm sure."
"I . . ." She frowns up at me. "Thank you. You're . . . amazing."
"Don't say that. You haven't found out about my ulterior motives yet." I grin. "You see, I didn't bring you here to talk to you about Caleb, actually."
"Oh?"
I set my hands on her hips and push her gently back against the wall. She looks up at me, her eyes clear and eager. I lean in close enough to taste her breaths, but pull back when she leans in, teasing.
She hooks her fingers in my belt loops and pulls me against her, so I have to catch myself on my forearms. She tries to kiss me but I tilt my head to dodge her, kissing just under her ear, then along her jaw to her throat. Her skin is soft and tastes like salt, like a night run.
"Do me a favor," she whispers into my ear, "and never have pure motives again."
She puts her hands on me, touching all the places I am marked, down my back and over my sides. Her fingertips slip under the waistband of my jeans and hold me against her. I breathe against the side of her neck, unable to move.
Finally we kiss, and it is a relief. She sighs, and I feel a wicked smile creep across my face.
I lift her up, letting the wall bear most of her weight, and her legs drape around my waist. She laughs into another kiss, and I feel strong, but so does she, her fingers stern around my arms. The night air slips into my lungs, and I feel like it is one of my first breaths.
CHAPTER
TEN
TOBIAS
THE BROKEN BUILDINGS in the Dauntless sector look like doorways to other worlds. Ahead of me I see the Pire piercing the sky.
The pulse in my fingertips marks the passing seconds. The air still feels rich in my lungs, though summer is drawing to a close. I used to run all the time and fight all the time because I cared about muscles. Now my feet have saved me too often, and I can't separate running and fighting from what they are: a way to escape danger, a way to stay alive.
When I reach the building, I pace before the entrance to catch my breath. Above me, panes of glass reflect light in every direction. Somewhere up there is the chair I sat in while I was running the attack simulation, and a smear of Tris's father's blood on the wall. Somewhere up there, Tris's voice pierced the simulation I was under, and I felt her hand on my chest, drawing me back to reality.
I open the door to the fear landscape room and flip open the small black box that was in my back pocket to see the syringes inside. This is the box I have always used, padded around the needles; it is a sign of something sick inside me, or something brave.
I position the needle over my throat and close my eyes as I press down on the plunger. The black box clatters to the ground, but by the time I open my eyes, it has disappeared.
I stand on the roof of the Hancock building, near the zip line where the Dauntless flirt with death. The clouds are black with rain, and the wind fills my mouth when I open it to breathe. To my right, the zip line snaps, the wire cord whipping back and shattering the windows below me.
My vision tightens around the roof edge, trapping it in the center of a pinhole. I can hear my own exhales despite the whistling wind. I force myself to walk to the edge. The rain pounds against my shoulders and head, dragging me toward the ground. I tip my weight forward just a little and fall, my jaw clamped around my screams, muffled and suffocated by my own fear.
After I land, I don't have a second to rest before the walls close in around me, the wood slamming into my spine, and then my head, and then my legs. Claustrophobia. I pull my arms in to my chest, close my eyes, and try not to panic.
I think of Eric in his fear landscape, willing his terror into submission with deep breathing and logic. And Tris, conjuring weapons out of thin air to attack her worst nightmares. But I am not Eric, and I am not Tris. What am I? What do I need, to overcome my fears?
I know the answer, of course I do: I need to deny them the power to control me. I need to know that I am stronger than they are.
I breathe in and slam my palms against the walls to my left and right. The box creaks, and then breaks, the boards crashing to the concrete floor. I stand above them in the dark.
Amar, my initiation instructor, taught us that our fear landscapes were always in flux, shifting with our moods and changing with the little whispers of our nightmares. Mine was always the same, until a few weeks ago. Until I proved to myself that I could overpower my father. Until I discovered someone I was terrified to lose.
I don't know what I will see next.
I wait for a long time without anything changing. The room is still dark, the floor still cold and hard, my heart still beating faster than normal. I look down to check my watch and discover that it's on the wrong hand-I usually wear mine on my left, not my right, and my watchband isn't gray, it's black.
Then I notice bristly hairs on my fingers that weren't there before. The calluses on my knuckles are gone. I look down, and I am wearing gray slacks and a gray shirt; I am thicker around the middle and thinner through the shoulders.
I lift my eyes to a mirror that now stands in front of me. The face staring back at mine is Marcus's.
He winks at me, and I feel the muscles around my eye contracting as he does, though I didn't tell them to. Without warning, his-my-our arms jerk toward the glass and reach into it, closing around the neck of my reflection. But then the mirror disappears, and my-his-our hands are around our own throat, dark patches creeping into the edge of our vision. We sink to the ground, and the grip is as tight as iron.
I can't think. I can't think of a way out of this one.
By instinct, I scream. The sound vibrates against my hands. I picture those hands as mine really are, large with slender fingers and calloused knuckles from hours at the punching bag. I imagine my reflection as water running over Marcus's skin, replacing every piece of him with a piece of me. I remake myself in my own image.
I am kneeling on the concrete, gasping for air.
My hands tremble, and I run my fingers over my neck, my shoulders, my arms. Just to make sure.
I told Tris, on the train to meet Evelyn a few weeks ago, that Marcus was still in my fear landscape, but that he had changed. I spent a long time thinking about it; it crowded my thoughts every night before I slept and clamored for attention every time I woke. I was still afraid of him, I knew, but in a different way-I was no longer a child, afraid of the threat my terrifying father posed to my safety. I was a man, afraid of the threat he posed to my character, to my future, to my identity.
But even that fear, I know, does not compare to the one that comes next. Even though I know it's coming, I want to open a vein and drain the serum from my body rather than see it again.
A pool of light appears on the concrete in front of me. A hand, the fingers bent into a claw, reaches into the light, followed by another hand, and then a head, with stringy blond hair. The woman coughs and drags herself into the circle of light, inch by inch. I try to move toward her, to help her, but I am frozen.
The woman turns her face toward the light, and I see that she is Tris. Blood spills over her lips and curls around her chin. Her bloodshot eyes find mine, and she wheezes, "Help."
She coughs red onto the floor, and I throw myself toward her, somehow knowing that if I don't get to her soon, the light will leave her eyes. Hands wrap around my arms and shoulders and chest, forming a cage of flesh and bone, but I keep straining toward her. I claw at the hands holding me, but I only end up scratching myself.
I shout her name, and she coughs again, this time more blood. She screams for help, and I scream for her, and I don't hear anything, I don't feel anything, but my heartbeat, but my own terror.
She drops to the ground, tensionless, and her eyes roll back into her head. It's too late.
The darkness lifts. The lights return. Graffiti covers the walls of the fear landscape room, and across from me are the mirror-windows to the observation room, and in the corners are the cameras that record each session, all where they��re supposed to be. My neck and back are covered in sweat. I wipe my face with the hem of my shirt and walk to the opposite door, leaving my black box with its syringe and needle behind.
I don't need to relive my fears anymore. All I need to do now is try to overcome them.
I know from experience that confidence alone can get a person into a forbidden place. Like the cells on the third floor of Erudite headquarters.
Not here, though, apparently. A factionless man stops me with the end of his gun before I reach the door, and I am nervous, choking.
"Where you going?"
I put my hand on his gun and push it away from my arm. "Don't point that thing at me. I'm here on Evelyn's orders. I'm going to see a prisoner."
"I didn't hear about any after-hours visits today."
I drop my voice low, so he feels like he's hearing a secret. "That's because she didn't want it on the record."
"Chuck!" someone calls out from the stairs above us. It's Therese. She makes a waving motion as she walks down. "Let him through. He's fine."
I nod to Therese and keep moving. The debris in the hallway has been swept clean, but the broken lightbulbs haven't been replaced, so I walk through stretches of darkness, like patches of bruises, on my way to the right cell.